جدلية الموت و الحياة في فنون الحضارات القديمة

Abstract EN

Generates human lives and take his life different paths It seeks to achieve the same through his activity and aspires to confirm its existence and differentiation within the total across the product idea and continuous effort in life, art one aspect of humanitarian action and a thought attributes is subject to the conditions and variables of the environment and society, but it remains part of the attempts to understand human existence and fate, and the artist and civilization breed and evolving under the pressure of the idea of life and death, which Tsanaan pattern of thought and civilization and creativity space as thinkers and creators who works with a view to understanding and access to secrets.

So it summarized the problem of current research into the possibility to answer the following questions: - 2.

How is understanding the dialectic of life and death in the arts of ancient civilizations? 0.

What are the motives behind the artistic creations that celebrate life after death? 0.

Do you have contributed to the arts in ancient civilizations in shaping the image of death and birth and cemented this image in ancient societies? The first chapter of the research has included a definition of the problem of research, the importance of research and the need for it has been identified as follows: - 2.

The research placed the death and birth follow and how to deal with human and its role in the construction of ancient civilizations and how to use the death Kmoduah hired Architectural and Fine Arts.

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offers a study of the assets placed in the birth and death of philosophical output.

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offers a study of the assets placed in the birth and death of philosophical output.

The search target has been identified 2.

Know the concept of life and death in ancient civilizations? Spatial - the border is determined by current research studying the ancient arts of the ancient Egyptian civilization of Iraq and civilization, and Greek civilization.

Temporal border - is determined by current research study for the period from 0077 BC to 077 BC.

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Objectivity border - is determined by current research study architecture, sculpture and ceramics in ancient civilizations.

The researcher analyzed the most important terms in the Find The second chapter included the first three sections represents a review of the historical roots of the idea of life and death in ancient civilizations.

The second topic dealt with the myth and the idea of life and death The third section has included the study of representations of death and life in the arts of ancient civilizations.

The third chapter contains research procedures were included, the research community and the selection of the sample and tool research and analysis of the amount of the sample (9) models.

As the fourth quarter has resulted in the findings and conclusions, including the 2.

realized the old Iraqi thought that it could not secure immortality and death as a fact crucial for all human beings, so it did not work for its own sake but also for others and for the principle of life itself.

As in the form (0.2) 0.

His sense of the inevitability of death, a kind of sense of nihilism and anarchy nor the feasibility of life and often led to the feet of the ancient Iraqis to sacrifice cultural and architectural achievements of large collapsed and crashed not been preserved.

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The ancient Egyptians felt safe, stability and tranquility in their distant fortified against the invaders while the Iraqis are suffering from the ravages of invasion and war of aspirants in the bounties of their country each period, which focused to have a sense of anxiety and instability and faith that everything is fleeting and only the immortal gods remains.

As in the form (1.0.2) One of the conclusions 2.

emphasis on the genitals in the statue or encryption which aired labor movements are only signs of animate important relationship in their meanings to the phenomenon of pregnancy and childbirth among women than have an active role in the magical rituals Alchaklah, in this model was deep embodiment of a group of intellectual concepts deployed in that the old social milieu.