جماليات توظيف التقنيات في العرض المسرحي : كوردن كريك (GORDON GRAIG)‎ أنوذجا

Abstract EN

This research deals with the theoretical and practical studies of the theater of Edward Gordon Craig, in which it is considered as an advanced global theater that depends on the aesthetic aspect of modern drama; in its form and content, by using of technical elements in the theatrical spatial and it an expressive manner, that is full of artistic decoration, signs, and markers, far from the conventional forms used in the realistic theater.

The modern experiments of E.

G.

Craig has surpassed all unchanged and traditional manners, and freed from the current theater as a unchangeable bases.

This led to fill the theatrical spatial with visual and miscellaneous movements that based on fantasy visions.

It views the theater as a collective art that has an identical artistic unity.

The experiments of Craig led to an artistic revolution through the modality of transferring the theatrical action to a form that has direct relation to the optical enjoyment of the audience, by benefitting from its being a formation art that based on mass formation and other formation contents in his theater.

The focus on Craig’s theater has its importance because it is a developed theatrical art that depends on theatrical experiments to achieve modern theatrical work.