العلاقة بين المبدع و النص : عيار الشعر لابن طباطبا-أنموذجا
Other Title(s)
The relationship of the composer with the text : Ibn Tabata’s Aiyer al-Shi'r as an example
Author
Source
Issue
Vol. 2012, Issue 3 (31 Jul. 2012), pp.246-284, 39 p.
Publisher
Assiut University Education Enhancement Center
Publication Date
2012-07-31
Country of Publication
Egypt
No. of Pages
39
Main Subjects
Topics
- Arabs
- Tenth century
- Literary style
- Arabic poetry
- Poets
- Literary criticism
- Ibn Tabataba Muhammad bin Ahmad, -934
Abstract EN
The researcher shed light on the composer's relationship with the text, where the impacts of the relationship is manifest Ibn Tabata's Discussion about it is the most prominent through the space it occupies in the books.
Ibn Tabata discusses the text in its earlier picture till its final one.
The poetic text un its not an unpredictable adventure of its consequences as it is preplanned.
The composition of poetry, to Ibn Tabataba, is a mental thinking process, a mental activity and a geometric structure that requires a complete accuracy that makes it possible to build it up as appropriate as possible.
It us a system with a mental nature that presents a comprehensive conception of the creative text.
Therefore, he emphasizes preparation and pre- acquired knowledge of poetry and its instruments.
Ibn Tabataba was very interested in the components of the creative poetic work in form and content.
Discussion of the meaning occupied a significant space in the book where he dealt with meanings in every aspect to contracted with these component.
However, he did not disregard their value, significance, impact and role in the poetic text.
They are interwoven in the basic text.
He also, discussed the utterance (word) an it importance in building of the texts deriving at all its positive power.
He dealt with the value theutterance (word) in isolation in the same way as he did with it in its structural context.
The research examined the structural context and its importance, namely, he discussed the words and meanings combined.
The meanings have the words which shape then either in positive way or a negative one.
The research emphasized the style that should be followed by the poet in order to build the text, urging the artistic patterns which achieved a high position and great success and alleviated the functions assigned to them.
He discussed rhyme, rhythm, tone and music.
Ibn Tabataba asked the poet to make the relationship of rhyme and meaning as appropriate and moderate as possible Ibn Tababa took care of the recpeind taking into to convey the composer's thought the reception.
He asked the composer to create a refined phrase through a respectable language.
American Psychological Association (APA)
العزام، هاشم أحمد محمد. 2012. العلاقة بين المبدع و النص : عيار الشعر لابن طباطبا-أنموذجا. دراسات في التعليم العالي،مج. 2012، ع. 3، ص ص. 246-284.
https://search.emarefa.net/detail/BIM-755253
Modern Language Association (MLA)
العزام، هاشم أحمد محمد. العلاقة بين المبدع و النص : عيار الشعر لابن طباطبا-أنموذجا. دراسات في التعليم العالي ع. 3 (تموز 2012)، ص ص. 246-284.
https://search.emarefa.net/detail/BIM-755253
American Medical Association (AMA)
العزام، هاشم أحمد محمد. العلاقة بين المبدع و النص : عيار الشعر لابن طباطبا-أنموذجا. دراسات في التعليم العالي. 2012. مج. 2012، ع. 3، ص ص. 246-284.
https://search.emarefa.net/detail/BIM-755253
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن هوامش : ص. 279-283
Record ID
BIM-755253