الدلالات التعبيرية للماكياج في الفيلم السينمائي الغرائبي

Other Title(s)

semantic expressive makeup in the film Orwellian

Author

آسيا علي محمود

Source

الأكاديمي

Issue

Vol. 2017, Issue 85 (31 Dec. 2017), pp.141-154, 14 p.

Publisher

University of Baghdad College of Fine Arts

Publication Date

2017-12-31

Country of Publication

Iraq

No. of Pages

14

Main Subjects

Arts

Topics

Abstract EN

Enjoy cinema privileged position , they have the ability to influence and the impact of including environs of prior art , and what distinguishes them , possessing motion picture , especially since the film possesses through its means technical ( camera , lighting, sound, editing , costume, scenery and makeup ) that work together in harmony and harmony to create enchanting fantasy world does not exist only in the imagination of corrupt officials .

Out of imagination found that the art of make-up one of the means that enable it to create characters imagined located between simulate realistic characters (such manifestations of blood , cut leg, wounds , burns , etc.

..) and the figures are unrealistic , particularly in the creation of characters oddly shaped unfamiliar may be beautiful or ugly or scary , and so by employing tools and materials (such as powders , and plastics and pigments, and colors , and gum alcoholic or plastic ) to transform the features of Representative in whole or in part to the features may be animal or teratogenic or Nothingness her resemblance to the ground.

The make-up is the work of the two leads , namely: Beauty cosmetic any personal or Taqbihaa , and other graphical zoom through personal profiles or minimized , while the bulk of the expressive side , is to create oddly shaped figures unfamiliar in virtual reality.

I've included four chapters search included the first chapter , which explained the methodological framework of the research problem by asking the following: ( Can make-up that creates exotic figures in virtual reality).

The second chapter dealt with the theoretical framework comprised three sections The first topic I talked about : the concept of exoticism The second topic was : make-up in the cinema.

The third topic was : ( make-up building in the form of personal exoticism) The third chapter meant actions taken to search across indicators theoretical framework tool for the analysis of the film ( a Caribbean pirate).

The fourth chapter included the results and the most important:- 1.

The use of make-up in the film Orwellian work to achieve the desired result through a change in the form of personal familiar to the unfamiliar figure in virtual reality :- The most important 2.The work of make-up to create a personal form of absurdly helped create suspense and surprise element in the film , and achieved success in the broad public demand it to pursue these kinds of movies In the end, research came the summary in English.

American Psychological Association (APA)

آسيا علي محمود. 2017. الدلالات التعبيرية للماكياج في الفيلم السينمائي الغرائبي. الأكاديمي،مج. 2017، ع. 85، ص ص. 141-154.
https://search.emarefa.net/detail/BIM-760295

Modern Language Association (MLA)

آسيا علي محمود. الدلالات التعبيرية للماكياج في الفيلم السينمائي الغرائبي. الأكاديمي ع. 85 (2017)، ص ص. 141-154.
https://search.emarefa.net/detail/BIM-760295

American Medical Association (AMA)

آسيا علي محمود. الدلالات التعبيرية للماكياج في الفيلم السينمائي الغرائبي. الأكاديمي. 2017. مج. 2017، ع. 85، ص ص. 141-154.
https://search.emarefa.net/detail/BIM-760295

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش : ص. 152-153

Record ID

BIM-760295