تجليات المكان، أبعاده و دلالاته في شعر (نزار قباني)‎

Abstract EN

The place in the literary works is the mother's womb, in which it forms itself as a dynamic and accelerating relationship between the creator of the literary work and the text and the audience, and turns into an all-encompassing artistic and literary richness.

However, this requires an in-depth cultural understanding of the audience towards our emotional, historical, and political implications in literary works.

The place played an important role in the formation of the poetry of Nizar Qabbani, a contemporary Syrian poet, and was not just a geographic dimension that was not pure.

But the poet has given it a mystery and spiritual meanings.

The place in qabbani poetry has different dimensions, indicating his special interest.

The most important dimensions of the place in his poetry are the emotional, political and national, religious and historical aspects.

The present study has examined the descriptive-analytical approach, the phenomenon of place and its implications in qabbani poetry, and has achieved some results including: The place in qabbani poetry is not just a geographic dimension, and has been used in three dimensions: emotional, political, and national, religious, and historical.

Among the places of reference in qabbani poetry is as follows: Damascus signifies a passion for homeland, Beirut is a symbol of love and affection, Karbala is a symbol of resistance to the oppression and tragedy of Arab societies, especially occupied Palestine.

Quds is a symbol of purity and resistance, and the chamber and exile signify tyranny and suppression in the Arab world.

All of this has helped the beauty of qabbani poetry.

The homeland in qabbani poetry sometimes also implies positive and sometimes negative, which is often tied to social and political issues.