الأساليب الفنية الحداثية : رؤية تجريبية تبحث عن هوية لذاتها

Abstract EN

This research analyzes the development of the art perspective from the first decade of the 20th century in terms of analyzing art facts within important creative transitions and accomplishments of this century.

The research discusses the visual impression phenomenon adopted by the impressionists.

It analyzes the new fine arts issues resulting from the rationalization of visual perception in optical analysis.

It also discusses the formulas adopted by futurism: the dynamic formulas of time and motion.

The other two issues discussed by this research are the subconscious mind and dreams and the expressionism movement.

The researcher analyzed the new artistic styles and perspectives that seek to have a state of balance with the components of the environment.

In the context of analyzing contemporary artistic perspective, the research also includes examples from schools of art.

The researchers analyzed the new perspectives as a state of creativity of two tracks: 1) the artistic creation by the artist him/herself, 2) the ability to go beyond the boundaries of the common taste through adopting creative renovation elements of art.

The researcher concluded a number of findings the most important of which was that the art during modernity intended to unveil a vibrant reality, which develops leveraging its potential.

The artistic styles with various experiments and achievements contributed to the satisfaction of the eagerness to discover new outlooks for the real world; and so, the artistic scene has become interesting and full of suspense.