الانزياح التركيبي في شعر ذى الرمة بين النمطية و الوظيفية : الجملة الفعلية أنموذجا

Abstract EN

The research brings into view a common stylistic phenomenon in the Umayyad poet Thi aIRummah’s collection of poetry represented by the structural deviation dominating the verbal sentence where the object precedes the subject.

The purpose of the research is to identify the deviated patterns in accordance with the position of deviation in the poetic line, classify them, and show the embedded causes behind those patterns by exploring the functional analysis that manifests the aesthetics of deviation and the influential semantic dimensions, all of which cannot be achieved without deviation.

The research revealed the following results: Deviation dominated in the verbal sentence more than it did in the normal sentence in which deviation faded out or was rarely used.

The study found that using the deviational pattern was most probably intentional and not incidental.

The research attempted to explore many of the secrets behind the deviation and its aesthetic, semantic obscurities in addition to the roles played in manifesting the meanings, and showing the roles of structuring the poetic line in building the poetic sentence.

It is almost impossible to comprehend the objectives and purposes behind the deviational patterns used by Thi aIRummah, for he intentionally used that style which was necessitated by the poetic rhyme and metre.