البنية الإيقاعية في القصيدة المعاصرة
Author
Source
Issue
Vol. 2016, Issue 47 (31 Oct. 2016), pp.58-73, 16 p.
Publisher
University of Amar Thligi Laghouat
Publication Date
2016-10-31
Country of Publication
Algeria
No. of Pages
16
Main Subjects
Abstract EN
The composition of rhythm is one of the components of the experience of the poet of modernity, which is a manifestation of the activation of Revelation as a mediator of media creativity and innovation, which is the most difficult controlling the poetic text mechanisms, it is based on a pillar of parallelism between the two axes: Voice and semantic, is diversification rhythm of the highlights stylistic techniques employed by the poet of modernity, in pursuit of the greatest dramas on the expression level, in response to discoloration psychiatric cases is the multiplicity of its aims , was the voice of rhythm and the rhythm of the narrative and dialogue and the rhythm of whiteness and the rhythm of ideas.
By reading some of the leading poetic experiments me got surprised inevitably by the basic rhythmic shifts , which showed that the tone has not been completed , there are rhythmic forms are still virgin territory .
American Psychological Association (APA)
بوعمارة، بوعيشة. 2016. البنية الإيقاعية في القصيدة المعاصرة. دراسات،مج. 2016، ع. 47، ص ص. 58-73.
https://search.emarefa.net/detail/BIM-886364
Modern Language Association (MLA)
بوعمارة، بوعيشة. البنية الإيقاعية في القصيدة المعاصرة. دراسات ع. 47 (تشرين الأول 2016)، ص ص. 58-73.
https://search.emarefa.net/detail/BIM-886364
American Medical Association (AMA)
بوعمارة، بوعيشة. البنية الإيقاعية في القصيدة المعاصرة. دراسات. 2016. مج. 2016، ع. 47، ص ص. 58-73.
https://search.emarefa.net/detail/BIM-886364
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن هوامش.
Record ID
BIM-886364