النزعة الرومانسية في العالم الافتراضي

Abstract EN

When Romanticism had passed since its appearance at the end of the eighteenth century, it seemed that this important intellectual and philosophical development had been absent but not really lost.

Romanticism remained in the poems of poets, philosophers and writers even after they had escaped cultural life in general.

If it is difficult to itemize all the principles of romance, the apparent is the assertion of individualism and the love of autism with nature and its potential with its mysteries as well as the glorification of emotion, compared to the mental orientation of the writers in the seventeenth century in their classical approach.

The language is the most important to what the Romans have proven in their poetry and their artistic works, from Wordsworth to the great romantic philosophers, in addition to the philosophy of Jean-Jacques Rousseau, the philosophy of romance, a paradox that illustrates the dimensions of this great phenomenon in international thought.

With the advent of new media, and the accelerating development of its technologies, romance is returning again, but with different visions imposed by the generation and its logic.

If romance is the philosophy of personality and self-love, social media sites have touched this and come close to it.

Actually, if the romantic writers sanctify nature with its trees, mountains and plains, they stand in front of small screens where nature does not appear and it is silent with no trees and sounds, and harmony.

However, the features of romanticism were found in new media and according to a vision that says: "The curriculum renews itself, and the ideas can come back, but the romanticism today has more than meaning and reference, and its investigation in media research can be a reason to renew our knowledge and criticism.