تأثير الحرب في تحول الأسلوب للرسم المعاصر في العراق الفنان عدنان عبد سلمان أنموذجا : دراسة تحليلية مقارنة

الملخص EN

Addressed the problem of the research is marked by (the influence of the war in the style transformation contemporary painting art in Iraq- Adnan Abed Salman example) to detect the nature of what the war thriller of a shift in the individual style of contemporary Iraqi artist.

The search came in four sections: general framework for research and identified the research problem and the need for him.

With an indication of the importance of his presence.

Then select the target goal of search (detection method when the artist Adnan Abdul Salman before and after the war in Y • < r), followed by the establishment of the borders of the three research (objectivity, temporal and spatial) were then determine terms related to the title.

From then provide the theoretical framework and indicators that resulted from the academic theory jf^fte subject.

Researcher has identified three addresses implied within this framework to ensure reading Find placed according to their frames different tariff.

Were as follows: the mobility of art before and after the two world wars / contemporary art movement in Iraq during the past two decades/ path Iraqi contemporary art about the Diasporas.

The third chapter devoted to research procedures, revealed through the community studied and selected sample of it (£ works) then select the search tool and determine the methodology, followed by the analysis of the sample.

The fourth chapter has included the results of the search, including: •No turning style is evident because of the war, as what has been visa shifts located within the style, could be attributed to various compressors which may be contained on humans.

Perhaps the reason for this is the fact that the Y • * V war was not the first artist who lives with Iraq, or may have effects are likely to appear on the long term.

What superimposed researcher from the presence of loose or wide latitude as a product of post-war situation unrealized actually, so to researcher, according to data the theoretical framework and analysis of the sample, could be signaling a change in the type compressors direct style of the artist, it is not ignoring the case of the dominant external identifies and frames the artistic style.

•not in Iraqi art form rejection of the war is clearly a serious individual , so that is reflected as an indicator of mass protest, as in Western art, and therefore did not appear on the work of the artists of the sample shows what this character is clearly a shift in style.

•were not war is the only influential on the lives of the Iraqi citizens , and despite the fact that current research does not include overlap with sociology or psychology , but it is not difficult for the observer of the Iraqi speculate that the artist taken by many influences , when it purports to accomplish works of