الدوافع النفسية للشخصية الهجائية في العرض المسرحي العراقي

Abstract EN

Satori and means of expression of human emotion in which two teams rivals to defend the cause of overlap within the pain of rejection and hate or discontent or criticism, expressed by an individual or group for the triumph of individual self to himself that reflect the larger picture of a social with values or society and its customs, security or human value against the underworld values that are contrary to the virtues of communities against an individual Oodd community or against certain facets policy and sought search to identify the satori first and his methods, types and how employed in the presentation of theatrical and produced the Iraqi theater experiences of many satirical images have emerged in several theatrical works that crossed for the privacy of the Iraqi society and Tnoath cultural perspectives political view private and social in general, which, as those theatrical experiences in many ways represented was in the forefront presented in a different way, or through a direct and explicit act and carried away with his statement excavation for disclosing all what might shrouded in the guise of exposure without confrontation declared .ualbges here highlighted the satori in its conception and its types, methods and aesthetics then examine the motive behind the general psychological factors of the character alphabet and then study the spelling on the world stage and the Arab setting aside all of this on the Iraqi theater and Maictnf aspects of the types and methods of satirical distributed within the pain of the surrounding community conditions and therefore the the repercussions and effects of public and private social psychological.