تجليات الغياب و الحضور في الرواية العربية المعاصرة : مقاربة تحليلية في شعرية السرد التناوبي لرواية "مصائر" لربعي المدهون

الملخص EN

The Arabic novel knew significant shifts, passing through several stages, such as; the stage of modernity and beyond, where the Arab novelist fought numerous experiments, since he was not immune to what is happening in the world around him, therefore he became involved with modern Arts, and the renewable narrative knowledge.

Perhaps the phenomenon of writing and experimentation constitute a narrative and critical event that might be bolder than anything else and therefore the authors bet on the practice of experimentation to pursue some of the modernist phenomena that respond to the requirements of the Arab social, political and cultural reality.

The novel "Masa’ir: Concerto the Holocaust and the Nakba" by Palestinian novelist Robai ElMadhoun, writes the history of Palestinian suffering: the Nakba, the diaspora, and the return, in a humane manner and away from institutional history and biased political effects.

The writer worked throughout his novel on four “movements,” that was inspired by the Concerto musical system composed of four “movements,” in which he employed the rotational narrative in an innovative and new way.