المعنى و التشكيل النصي : دراسة في شعر أدونيس

Abstract EN

The work of the poem is based on the effectiveness of its components, and the work of these components is consistent with the meaning that leads to cohesion, and leads to the ramification of the production of the poetic structures that connect with it, both on the surfaces of the words or between the folds of relations and in what seems to be the total unity that is imbued with a mental or poetic experience.

The vocabulary of formation is a form and function, ie, the effectiveness of the bond between them.

When the degree of harmony between them increases, the existentiality of the poem becomes complete.

The meaning here is not confined to the limits of the relationship of the signifier to the meaning, but is added to what is reflected in the vision that forms the composition in light of it, and extends within the relationship of the "past" time and "concurrent".

But here is the important distinction between the two, which may not seem But it is definitely a high formative ability that only those who acquire tools capable of elevating the poetic vision from latency to manifesting effectively with the universe and life may have access to it.

If modernity conceives the moment of the arrest of the moving, the poet monitors the movement of the universe and society in the moments of growing and contradiction; to reveal the media consciousness in the author, so that the relationship between them necessary relationship escalate in the first and create a third element, in the sense of Hegel, in the second.

These meanings are evident in Adonis' poetry, allowing space to move inspired by the vitality of construction in its integrated sense.

Which leads to the continuation of his progress in the experience of poetic in the framework of the predominant.

The research is divided into two parts: First: the formation of the growing / spiral.

Second: the corresponding / cognitive formation.