"ميكرو" الفعل الاحتجاجي و فاعلوه الاجتماعيون خلال الثورة التونسية : 17 ديسمبر-14جانفي2011

Abstract EN

The moment of protest is one of the most important pillars of the revolutionary movement.

Public space gives the protest momentum in the audience and a special scene.

In this context, public space becomes an appropriate place for action, protest and the practice of cinemographs, and here the revolutionary act becomes a theater and the public space is the ball.

In this case, the revolution of transformed from situational practices linked to a specific event to a daily practice of social actors who know precisely the outlines of the public space in which they live.

We want to see through this work the role of protest practices at the micro level, such as protests by the sporting masses and their graffiti to contribute to the success of the Tunisian revolution.

The problem we ask is whether our daily lives include permanent protest practices.

Alternatively, is the protest and revolution linked to special circumstances and contexts that contribute to the provision of the "shack"? Can we say here that the act of protest is gradually getting closer to the "ordinary" social actors? From the leader of the liberation revolution from colonialism in the 1950s (Bourguiba as a model) to organic culture to the twenty-first century, to young people and unemployed people who are able to use modern media.

Is it possible to say that the act of protest does not require a leader or a landscape to reach the stage of application? Did the public sphere contribute to reducing the elitist revolutionary act? Especially since the Arab spring revolutions contributed to "restoring public space".

We divided this research into two main elements, along with an introduction and a conclusion.

The first element was entitled "Public space and the Tunisian revolution: the model of the masses of sports stadiums" and the second element entitled "Graffiti and the production of knowledge during the Tunisian revolution".