العنونة و إنتاج الإثارة الشعرية في الشعر الجزائري المعاصر : قلق الكتابة و تمجيد الماء

Abstract EN

Titling has a great importance, it qualifies the text and preserves it from dissolution between texts/ other titles, it insures its realization and guarantees its being.

Undoubtedly, different titles and types disparities are full with significant semiotic signs submitted to the obligation to compliance with text that designates, it would be approached or close to it.

We could find titles constituted from deceit and ambiguity adopting poetical, rhetorical, symbolic, mystic radiance, which give it a summarized interesting aspect provoking the receiver and convulses the prime imagination, that means that the title is permanently seeking for an adventurer reader breaking down rhetorical and symbolic spaces, creating an interactive and interrelated relation (text-title), (title-reader), (text-reader).

Consequently, this study seeks for the approach of titling in the Contemporary Algerian Poetry by analyzing the relation between the title and the text and showing the willingness of the title in the creation poetry according to the obsession of writing and the glorification of water by a collection of poetical titles