جمالية الإيقاع السردي في الخطاب الروائي الجزائري : قراءة في اللوحات التكميلية للأسود يليق بك

Abstract EN

The vision of the aesthetics of the narrative rhythm as we conceived and estimated its structural dimensions in the narrative discourse between narration and narrative and style so that these mechanisms constitute a synthetic nature of the language of art, and the narrator, like the poet always looking for linguistic influences attract the attention of the recipient, we have seen the narrative painting in the novelist discourse that it Is a metaphorical space in which the novelist finds an outlet for an objective context of events, as well as the obligation to follow the characters of the novel, all of which is a thread and its strict consistency in the novelist discourse represents a pillar of poetry because of the agreement of all the narrative discourse on its techniques and And the conditions of their employment in many cases, and the creative novelist is the inventor of the artistic breach, as well as Ahlam Mostaganemi as we thought and our ability in the speech of black suits you have invested the chapters of the documentary discourse to turn into a space to breathe the speech has been weakened by the awareness of this aesthetics to deal with a range of aesthetic functions are Which enveloped the icon of the discourse with the reader's astonishment from every literary discourse.

For the objective reasons that we have given us interest in research aesthetic aesthetic revolutionary in the novel of black suits you because of the common rumor of the difficulty of the revolutionary revolutionary metaphor because of the specialty of the collective subtraction in which the song finds a way to manifest, in the sense that we will read the details in the novel is suitable for you Reading poetry, and previously Abdul Qahir Jirjani that inspired his readers distant from his time that prose can rely on weights and arms.