البعد الفلسفي في أدب نعيمة : رواية اليوم الأخير نموذجا

Other Title(s)

The philosophical dimension in the literature of Noaima : novel the last day as a model

Author

مصطفاوي، جلال

Source

مجلة جامعة ابن رشد في هولندا

Issue

Vol. 2020, Issue 40 (30 Sep. 2020), pp.62-88, 27 p.

Publisher

Averroes University in Holland

Publication Date

2020-09-30

Country of Publication

Netherlands

No. of Pages

27

Main Subjects

Literature
Philosophy

Topics

Abstract EN

Man has been in constant conflict with nature since primitive times, and since nature was unforgiving, man had to preserve his immune system and consciously strengthen the laws of nature and probing its valley, but in order to live with it and control its surprises.

All cognitive fields (natural science, mathematics, physics, philosophy, literature, history, etc.) are born of that sincere consciousness.

It goes without saying that the relationship between literature and philosophy is deeply rooted in the old and continuous because each expresses his vision of the world, man and existence.

Although the literary work is based on imagination, it is not merely the paving of words or the sound of a musical bell.

In other words, it is not an empty form, this latter doesn’t exist.

The opposite is true, There is a meaning or idea that is the spirit of the literary piece.

It speaks of things and subjects with distinction, individuality and influence.

There is always a meaning that remains at the heart of literary work.

Philosophical literature is the central region combining philosophical contents and imaginary expressions of poetry or prose - the integration of literature and philosophy is a tangible phenomenon in the context of what has been accomplished from the philosophical reality (Maari, Goethe, Gibran, Sartre, Kafka, Noaima and others) As a sign that they are two sides of the same coin, no matter how different the horizon between them, they are in communication and integration, description, diagnosis, and criticism of what is humane cultural on an imagined level by employing the beauty of the place and feelings and emotions, philosophical literature is that literature saturated with the concerns of philosophy Perhaps the most prominent example of this type of writings novel "The Last Day" (1965) by Michael Noaima (1889-1988), which contains a literary glow as it involves a philosophical depth, but its philosophical affiliation is more worthy of its literary one, n philosophical literature, the writer does not practice philosophy, but he exhibits precisely, a philosophical consciousness and practice a philosophical act, or consciousness of consciousness.

Through this study we ask the limits of the relationship between the novel as a genuinely aesthetic and imaginative genre, and philosophy as a continuous and logical question about our relationship with ourselves and our existence and God Almighty.

Is it possible for literary creativity to include philosophical perspectives What is the philosophical dimension of the literature of Mikhail Noaima (philosophy of salvation), and the philosophical issues raised in the novel (the last day) in particular?

American Psychological Association (APA)

مصطفاوي، جلال. 2020. البعد الفلسفي في أدب نعيمة : رواية اليوم الأخير نموذجا. مجلة جامعة ابن رشد في هولندا،مج. 2020، ع. 40، ص ص. 62-88.
https://search.emarefa.net/detail/BIM-975321

Modern Language Association (MLA)

مصطفاوي، جلال. البعد الفلسفي في أدب نعيمة : رواية اليوم الأخير نموذجا. مجلة جامعة ابن رشد في هولندا ع. 40 (أيلول 2020)، ص ص. 62-88.
https://search.emarefa.net/detail/BIM-975321

American Medical Association (AMA)

مصطفاوي، جلال. البعد الفلسفي في أدب نعيمة : رواية اليوم الأخير نموذجا. مجلة جامعة ابن رشد في هولندا. 2020. مج. 2020، ع. 40، ص ص. 62-88.
https://search.emarefa.net/detail/BIM-975321

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش : ص. 86-88

Record ID

BIM-975321