البلاغة البصرية في الشعر الجزائري المعاصر

Abstract EN

the contemporary algerian poem has changed its path from the assyrian dimension to the visual dimension, reflected in its usual space activity, surpassing the compliance with the dictates if the fixed patterns that survive and penetrate the podium of the dominant patriarcal model, which impised its existence and still is an undisputed memory.

re- adapting the functional, poetic and délibérative functions of the changing media sculpt their own style of the latset writing proposals based on the effectiveness of whiteness, blakness, numbering, geomestric shapes and plastic painting as alternatives to reduce the a message from the intégration of its syntactic unites in favor of a communicative language.

the récipient is obliged to have spécial strategy to read a text that has invested all the dimensions of the visual composition by incorporating semiotic linguistic structures into a new polyphony that wants to accommodate the new reality.

perhaps this is what this study seeks through the textual approach to detect the places of visual displacement in contemporary algerian poetry texts.