الوطنية و ملامح ميتاتياترية : قراءة في نص "مآذن المحروسة" ل "محمد أبو العلا السلاموني"

Abstract EN

This Study Seeks To Identify The Features Of Metatria In The Text "Minarets Of Al-Mahrousa" By "Muhammad Abu Al-Ela AlSalamouni" And Its Relationship To The Issue Of, Which He Embodied In One Of The Most Important Periods In Egyptian Society History, Which Is The Period Of The French Campaign With The Mamluk And Ottoman Rule Over It, As Confirmation Of The Social Function Of Art In Facing The French Colonial And Its Tyranny.

The Study Relied On The Text “Minarets Of Al Mahrousa” As A Sample, And The “Structural Formative” Method For Analyzing Literary Text, and The "Historical" Method In Monitoring And Interpreting Many Literary Phenomena.

The Problem Of The Study Was Identified In The Following Main Question: To What Extent Did "Muhammad Abu Al-Ela Al-Salmouni" Employ The Techniques Of "Metiatrous" To Crystallize The Issue Of Patriotism In The Play Minarat Al-Mahrousa?.

The Most Important Results Of This Study : The Most Important Metiatrue Techniques In The Theatrical Text: - Theater Technology Inside A Theater , Chorus and Narration Technique.

- The Repetition And Intentional Cutting Of Events , and Of Interference Between The First And Second Levels Technique.

- Mentioning Terms Related To Theater And , Imagination = Spacetime Technique Improvisation Technique.

-- Folklore Watching Arts Are Considered The Basis Of Formal Theater Art, And Although They Are Just Incomplete Dramatic Artistic Phenomena, It It Has Greatly Led To The Emergence Of Theater Art.

-- The Meta-Theater Play, With Its Artistic Mechanisms, Has A Close Connection With The Patriotism Theme, The Subject Of The Theatrical Text.

- "Al-Salamouni" Interested In The Masses And How To And Interact With Them On The First And Second Levels, Where Positive Participation - In Making The Act - Was The Most Important Features Of The Masses In The Text.