الدرس الأنثروبولوجي الديني في الأبعاد الرمزية لدى جماعة أوشام : دراسة انثروبولوجية فنية

Abstract EN

The studies and trends that have been addressed by anthropology in recent times have expanded their fields and overlapped with other subjects, especially art, since the latter was closely related to man, and provided us with revelations of what the symbol is in the works of artists, which has multiple connotations distinct from the rest of other artistic trends and methods, given its place and mission in the religious, spiritual and artistic mentality of many religions and human beliefs, old and new, but it will not be possible to convince us about the level of the amount of feelings and the processes of visual, sensory and physical interaction, without knowing what one of the symbols expressed from the mechanisms of religious anthropology of the symbol, created by man for the first time and used in understanding his existence throughout history, until the artist's attempts to research and innovate to use them on different materials, has produced a set of questions, meanings and reflections of the recipient Perhaps the deepest of them is the work of the Algerian art group "Aouchem", as its founder, the Algerian artist Denis Martinaz, has become one of the references to this artistic movement, considering that the world in which we live is only a set of relationships and interpretations revolving around the symbol of Symbols, which have shaped our cultural heritage and allowed us to recreate and live events, and in this context the emerging science of self-content, is the science of symbols and therefore the right to speak of the meaning of Hermeneunitics semiotics and the art of symbol interpretation.