رؤية العالم و ثنائية التضاد لصورة الذئب عند الشنفري من منظور البنيوية التكوينية

Abstract EN

This research deals with the treatment of the world view and the binary contrast of the wolf image in the famous Al Shnafri poem, which ends its phrases with the letter "L" "Arab Lameea" through the generative structural, especially the perspective of Lucian Goldman.

The treatment came in two sections, one of which focused on the concepts and dimensions from which the research started, especially the methodology of treatment from the generative structural perspective, and the second is the applied dimension, through the application of Lucian Goldman's thesis on this text for the purpose of reaching a different vision in addressing this issue.

Since the old poetic text can be treated in the light of modern criticism theories provided that the modern critic or researcher improves his criticism tools and methodological treatments, and tries to connect modern dimensions with our literary and poetic heritage.

In applied research, this contrasting image of the wolf was addressed through generative structural theses Lucian Goldman's theses, the most important of which are actual awareness, possible awareness and world vision.