الشخصية الأيقونة : التخييل الذاتي من خلال نماذج جزائرية

Abstract EN

The French critic, Lejeune, drew the distinctive borders of the gender of the autobiography and collected the conditions for its fulfillment in the text within a textual charter he called the autobiography contract, separating it from the novel, but this identification did not prevent the emergence of a new narrative practice that combines the textures of the novel and the biography, as it gives the imagination the nature of data Real reality, as it works on the lines of the self and its model as an icon character within the narration and the truth, and critics have lined up this new practice inside it, by choosing Algerian models.