جماليات التكرار : دراسة في بنية الأسلوب عند ليلى الأخيلية

Abstract EN

This study aimed to trace the phenomenon of repetition in the collection of poems of the poetess Layla Al-Akhyaliyya by tracing the structural relationships between sentences and expressions, by clarifying the aesthetics of the rhetorical method of the phenomenon of repetition and illustrating its rhetorical effect in strengthening meanings, deepening connotations and raising the artistic value of the literary text, and by showing its musical and aesthetic dimensions.

The researcher studied the linguistic significance of the phenomenon of repetition in the collection of poems of the poetess Layla Al-Akhyaliyya in order to confirm the extent of the success of the poetess Layla Al-Akhyaliyya in using the rhetorical method in her poems, in addition to link the critical study with the aesthetic aspects of Arabic poetry.

The researcher divided his study; in which he dealt with the linguistic and terminological concept of the term repetition by tracing the opinions of critics in the past and modern about the phenomenon of repetition.

The researcher monitored the different and varied forms of repetition in the collection of poems of the poetess Layla Al-Akhyaliyya, represented in the swapping between the verb and the infinitive, the repetition of the derivatives of the word among the verb, the noun, the passive participle, the qualifying adjective, the exaggeration form, the nomen vicis, the nomen speciei, the mimi infinitive or the active participle.

Besides the repetition of the noun in the syntactic case or in different syntactic cases in addition to the repetition of one or two words or more at the beginning of successive verses, and then the repetition of the verb in "past, present or imperative" or in the passive voice or adding to different pronouns.

As well as, the repetition of the noun in singular, in the dual form and in plural, and the repetition of the vocative case..., and other phenomena of rhetorical repetition that the researcher deliberately traced in the collection of poems of the poetess Layla Al-Akhyaliyya.