ترجمة الشفوية في الرواية الجزائرية المكتوبة بالفرنسية : ياسمينة خضرا نموذجا

Abstract EN

The translation of literary texts is one of the finest and most difficult types of translation that a translator can practice.

This stems from the nature of the literary text in itself especially the novel that developed through the ages and witnessed new artistic techniques to represent orality, such as repetition, proverbs, folk singing, myth, dialects and others.

Literary translation needs a real artist who can translate vocabulary and formulate sentences in parallel with transmitting feelings, and making the reader coexist with the translation as the native speakers of the source language do.

It is highly challenging for the translator to render the French text to an Arabic text in form and spirit.

Thus, the translator will face a problem with orality: whether he transforms it to serve the target language or interpret it to approximate the meaning or he devotes a special dictionary to explain it at the end.

In addition to the hindrances he will face while translating these techniques which are in the structure of the source text in order to respond to the requirements of the era and serve readers with different intellectual visions.

So the novel succeeds in the end in communicating its vision to the reader and convincing him of it.