خطاب الحب في مسرح "محمد سلماوي" : قراءة في مسرحيتي : "سالومي" و "رقصة سالومي الأخيرة"

Abstract EN

Muhammad Salmawy”the writer” , tries to trace the impact of love speech inthis studythrough the method of critical analysis-of the discourse within two texts of the theatrical texts I choose the text of "Salome" and "Salome's last dance "where the theme of love, revenge and remorse were clearly expressed in both texts.

The study has reached a number of results, the most important of which were: - "Salmawi" was able to draw a love discourse from the first textual threshold.

The two texts' titles were references and connotations of love, which placed the recipient on the threshold of receiving the two texts.

- "Salmawi" relied on the discourse of the female body, which had a distinctive presence in the two texts.

- "Salmawi" was able to draw varying degrees of love within a rhetoric, depending on the nature of the relationship between lovers, so "Canaan" expressed the stage of God As for the stage of boyhood, it is represented by "Mirai", and passion is found by "Garden keeper" and "Siraj", while we found love with "Herod", and longing with "Annaheed" Salome reached the stage of wandering