التأسيس للاختلاف : دراسة في قصيدة المدح العباسية

Abstract EN

The old Arabic poem aesthetic construction is built upon a special pattern that almost distinguishes it from other kinds of discourse.

In fact, this special pattern is inspired from the dominant trends of thoughts of the Arabic imaginary during the pre-Islamic period and complies with them.

It is also imposed by the civilizational context with its explicit and implicit cultural models, with which the artistic format has transformed into a dominant element in the emerging poetic discourses in the subsequent times.

This new format enshrined by the critical theory has imperatively turned into an inescapable central format.

Within this context, modern Arabic poet found himself shackled by the constraints of the central text, and heavily burdened by critical standards strictness that plays the role of censorship.

In contrast, freedom of creativity stands as a catalyst element that pushes him to make end to this stereotypical monotony and emancipate the poetic text in order to bring it into line with the new life requirements and its new cultural models emerging with civilizational cross-fertilization and intellectual acculturation in the post-Islamic period.