الرحلة : موجهات تشكل الصورة و أقنعة التمثل و التمثيل

Abstract EN

As in any global cultural circles, the Travel Text rises in the Arabic Culture as an intrinsically rich component, where numerous discourses breed and interlock through its elusive landscapes which reveal, not only a travel stylistics encompassing different forms of and types of discourse even if contradicting, but it also reveals its locus in the heart of civilizational and cultural debates' arena.

In this arena, images interlock and masks are created between the looking and looked upon cultures.

It is natural, yet it is the status quo, that images are not interlocked and the created masks and the game of acting and embodiment is not innocent, and all are not dedicated to reality and fact.

All these underlay tens of commands and prejudices beyond the boundaries of fact and fiction, of what is, what will be, what is historically, literally exists, and what we wish for.

The present paper is an approach to these commands and prejudices and an attempt to place them in the context of cultural debates and controversies as it uncovers from the travel text in general and the Maghrebian one in particular.