جماليات التركيب النحوي ظاهرة الحذف في شعر نزار قباني

Abstract EN

Language is closely related to creativity, because language is the creator's first and last obsession.

It gives literary work the condition of its existence, survival, distinction and uniqueness.

The creative writer wrote to deposit his own language, is interested in exploding the energy of the hidden and charged language in the field of possibility in order to create a literary discourse, that makes him establishing on effective vision and employing it in form, fabric and industry, so its relationships and structures grow in itself, and it derives its symbols, dimensions and connotations from itself, thus, it transforms from a means aiming to fulfill a purely communicative goal to the means that surpasses the ordinary and breaks the monotony of the relationship between the signifier and the signified.

This is known as rhetoric.

Rhetoric is the art of literary expression and a rule at the same time, as well as being a critical tool used in evaluating in evaluating the individual style.

It monitors the dynamics of language development and its regeneration according to the nature of the creative experience that requires to study the language in the diversity of its functions, the multiplicity of its levels and its different methods.

The phenomenon of deletion is one of the many phenomena of language, and it is a grammatical and rhetorical phenomenon, which the ancient and modern grammarians took care of, and gave it great attention.

As it deepens the meaning, means significance and highlights the aesthetics of grammatical structure and literary expression.

Nizar Qabbani treated language as an artistic phenomenon and resorted to the phenomenon of deletion to get the language out of its traditional dictionaries, he gives it suggestive energies and new connotation.