خطاب التجريب في المسرح العربي و مفارقات الوعي بفعل القراءة

Abstract EN

: The issue of experimentation in the Arab theatre did not define its path to the critical discourse, except after it became insistent on searching for the alternative theatre act in writing, image, and vision without a previous body, which is found to have its implications and its impact on the monetary practice of the Arab theatre.

It has made experimentation its own subject, and has focused its olute concerns on its questions, issues, and problems, and other problems that have been formed to be the common subject among a group of critics who read this phenomenon differently.

Consequently, Differences in understanding, interpretation, backgrounds, and references vary according to the principles of reading and according to the curriculum and according to the culture of the critic.

It also results in to different questions that want to control the position of this phenomenon in the Arab theatre in its dynamics and stability, and in it negativity and positivity.

In this context, this paper comes to examine and follow the phenomenon of experimentation in the Arab theatre, provide criticism about this phenomenon, and monitor its paradoxes in reading it and working on it.