تراسل الحواس و أتره في بناء الصورة الشعرية

Abstract EN

I have addressed in this study the concept of correspondence as stated by some criticsand poets who have tried to lay the foundations for it in modem criticism as an importantsubject in critical studies.

The interest in this term began in the mid – nineteenth centuryand early twentieth century by a group of Western poets like ''Baudelaire and Mlarm“ Their impact was evident in the poems of the poets that came after them, whetherWestern or Eastern who were affected by the studies on the concept of correspondenceand what they read of the poetry related to the construction of the poetic image.

Researcher pointed to the importance of this concept as its study leads to the spirit ofpoetry.

It may assist in exploring deeper meanings of the poem.

Thus the poetic processbecomes disassociated from the senses, be it visual, audio or others.

Finally, this concept was of interest to some Arab critics at the present time, which madethe researcher to highlight it as one of the most important components of displacement ofin the modern poem and its artistic models.