تمثيل التهجين اللغوي و الثقافي في الرواية الجزائرية

Abstract EN

Summary: Hybridization is a concept of critical origin, which has entered the field of the novel, to become one of its synthetic characteristics and one of its structural elements.

It has become more present in contemporary novels and the studies of which it is the subject.

It is a phenomenon characterizing the postcolonial novel discourse, something that the researcher can observe in African literature in general and Algerian in particular.

This specificity prompts us to look for the manifestations of this phenomenon, linguistically and culturally, in four typical Algerian novels, whose publication dates and languages of writing and themes vary, it is The expropriated (1981) by Tahar Djaout, Laëzza (2006) by Mohammed Dib, Mazes, the night of great discord (2000) by H'mida Ayachi, and Nessyan.

com (2009) by Ahlem Mosteghanemi.

It will be a question of approaching the two methods of cross-linguistic-cultural hybridization and fixed expressions in terms of statistics and analysis, referring to the characteristics of fragmentation, dialogism and difference postmodern.

One of the useful characteristics of this study is to highlight the aesthetics of hybridization in the contemporary Algerian novel text, and to show the degree of support of Algerian novelists in the initiative of the representation of the cultural linguistic scene, local and other.