تجليات اللغة الشعرية في النشاط النقدي القديم

Abstract EN

Arab critics have been interested in the poetic word, and have devoted much attention to detail and study.

This is because poetic language is the identity of poetic creativity, a sign that it belongs to the circle of poetry.

This is why the old critics set specific terms for the poetic discourse, so that not all words are valid to belong to this art.

When we talk about language in poetry and literature in general, we mean the language in its technical characteristics that will raise them in depth their meanings, and the organization of the context of their words and sentences to expand their vocal and inspirational domains, and renew the evidence and enrich their expression.

For this reason, each language can not be a valid material for poetry, because the language of poetry is distinct and specific, because it is a language of inspiration.

It stands in contrast to the ordinary language or the language of science, which is the language of definition and language of illustration.