جماليات الفونيمات فوق التركيبية في أداء الممثل المسرحي العراقي : مسرحية الميدان انموذجا

Abstract EN

The actor is the main source of the live voice on the stage, because the vocabulary, dialogue and diction represent the main factor for conveying the meaning to the recipient, so the actor relies on dialogue as a significant bearer, and in order to achieve this level the actor must continue to train and develop his vocal capabilities to reach the most appropriate technique The most effective who helps him to perform his duty correctly, and to achieve this, the actor is obliged to employ all of his rhythmic and tonal variations and audio transformations, and among these techniques are superstructural phonemes as aesthetic values that give the actor a sense and honesty in the Performance, so the search includes two topics firstThe concept of superstructure phonemes and their divisions as important pillars and pillars that helped to communicate the meaning in a correct and clear way, while the second topic came under the title, Aesthetics of superstructural phonemes in analog performance, as aesthetic techniques that help the actor control the flow of the tonal and rhythmic process and emphasize some sentences, separations, dialogues and syllables And confirm it according to its verbal contexts, then the research procedures - the research community and its intended sample and analysis as it carries the characteristics of the concept of superstructure phonemes, then the results and their discussion, conclusions, recommendations and proposals, and finally the list of sources.