الوظيفة التعبيرية للتكوين في الفيلم الروائي

Abstract EN

Since its inception, the cinema has dealt with many different subjects and ideas, taken it as a material for it and turned it into films.

Among these sources and topics are the civilizations of ancient peoples, because these civilizations carry many creative ideas, and these historical and legendary ideas, legendary and influential figures, and issues of fantasy and mystery, because cinema is one of the means of expressing ideas and beliefs that concern many people, especially with the tremendous development of technologies Cinematography, which enabled her to embody these ideas and beliefs very nicely and close to their real reality.

Therefore, the researcher chose the following title (the expressive function of training in the feature film).

The methodological framework included the problem of research, which is reflected in the way the training performs its expressive function.

The importance of the research was that it deals with one of the director's tools and one of the most important features of cinema, which is training.

As for the theoretical framework, it will consist of two subjects, the first is the expressive function, and the second is the photomontage in the film.

The researcher came out with a set of indicators.

As for the research procedures, the researcher chose the descriptive analytical method, which was represented in the film (Abu Calpto) and came up with a set of results, conclusions, sources and references.