قضايا التغير الاجتماعي وانعكاساتها على مسرح رشاد رشدي: دراسة تحليلية

Abstract EN

The study aimed to identify issues of social change in theatrical texts (Sons of Faust, Majlis, October al-Hazin) written by Rashad Rushdie in the early eighties, and the social, political and cultural conditions and their reflection on the dramatic style addressed by the writer in presenting his plays in terms of form and content, the study relied on the descriptive, objective, critical analytical approach, in addition to the sociological approach, and the content analysis tool to analyze a sample of one-chapter plays by playwright Rashad Rushdie that was written in the early 1980s, Topper al-Sadain), and the study reached several results, the most important of which are: 1.

by mentioning some historical events that give rise to a kind of controversy, Rashad Rushdie was able to leave room for interpretation and allusion through the dramatic style of presenting the event, so the historical event became an end to the arrangement of upcoming events.

2.

Rashad Rushdie was able to address some of the issues of his time by resorting to historical time as a symbol he tried to employ in many of his plays, and thus it becomes difficult to separate the thought presented in the text, and the use of the symbol without attention to the factor of time.

3.

Rashad Rushdie was influenced by international literature in the play of the children of Faust as he took from the legend of Faust a title of the play, and was also influenced in the sad October play of the choir and its role in religious chants in the ancient Greek theater, where he describes that difficult period that Egypt passed after the assassination of the late president Mohamed Anwar Sadat from during the course that you comment on the character of the narrator.