المسرح داخل المسرح في مسرحية ليلى و المجنون لصلاح عبد الصبور

Abstract EN

This research paper studies and monitors one of the most important theatrical techniques, namely, the phenomenon (theater inside the theater), which began in the sixteenth century AD, in order to bring about an artistic shock to the mind of the reader, so that it does not identify with the text and melts away emotionally in it, but rather he must be conscious And arguing and criticizing that text, we chose the play (Layla and Majnun) by Salah Abdel Sabour, due to the importance of that play, which included within it another play, the play (Majnun Laila) by Ahmed Shawky, as well as the uniqueness of its author and his leadership of poetic theater, and his transfer from traditional sin to flight towards experimentation And Westernization.

The reason for choosing this topic was its novelty and ambitiousness, as it was not studied before, despite its importance, but was referred to in the exhibition of some critical studies, without analysis or theorizing.

This study contained an introduction, a conclusion, and two papers.

The introduction includes the importance of the topic, the reasons for choosing it, the curriculum, and the research plan.

The first topic - what is theater inside the theater.

The second topic - the use of theater within the theater in the play Layla and Majnun.

Conclusion: It includes the most important findings and recommendations.

In order to be able to implement the vocabulary of this plan, we chose the technical approach in our study.

Since the artistic curriculum depends on objective elements, and on artistic assets that have a chance of stability.

It is a subjective and objective curriculum, and it is the closest approach to the nature of literature, and the nature of arts in general.