البحور المهملة في العروض العربي بين الإهمال و الإعمال

Abstract EN

يمكن اعتبار إن البحور المهملة في العروض العربي هي بالفعل اسم على مسمى، فهي مهملة، أهملها العروضيون وأهملها الشعراء، وكأنهم متفقون على ذلك، فلم يقدم العروضيون عنها إلا النزر اليسير، ولم يستخدمها من الشعراء إلا القلائل، وعلى الرغم من مرور قرون وقرون من الإهمال المتوالي إلا أن شيئا باتجاه الإعمال لم يحصل، ولا يسعنا ونحن نعرض هذه الحالة إلا التحسر على فقدان ما يمكن أن تقدمه البحور المهملة وأنساقها الممكنة المختلفة من إثراء لإيقاع الشعر العربي وإغنائه بمساحات إيقاعية وإمكانات وزنية جديدة، ويجيء هذا البحث ليقدم للعروضيين والشعراء معا محاولة لإعادة البحور المهملة إلى صف البحور المستعملة، ليكون العروض العربي متكاملا بدوائره الخمس وبحوره المستعملة وبحوره المهملة.

It can be considered that the neglected seas in the Arab performances are already a name on their name, they are neglected, neglected by the presenters and neglected by the poets, as if they agreed on it, did not offer the presenters only a few, and was used by the few poets, despite the passage of centuries and centuries of neglect However, nothing towards the realization has not happened, and we offer this situation only mourn the loss of what can be neglected seas and their different possible forms of enrichment to the rhythm of Arab poetry and enrich it with rhythmic spaces and new possibilities of weight, and this research comes to present the presenters and poets together His re-seas neglected to row seas used to be the Arab offers integrated in its five circles and the used and neglected seas It can be considered that the neglected seas in the Arab performances are already a name on their name, they are neglected, neglected by the presenters and neglected by the poets, as if they agreed on it, did not offer the presenters only a few, and was used by the few poets, despite the passage of centuries and centuries of neglect However, nothing towards the realization has not happened, and we offer this situation only mourn the loss of what can be neglected seas and their different possible forms of enrichment to the rhythm of Arab poetry and enrich it with rhythmic spaces and new possibilities of weight, and this research comes to present the presenters and poets together His re-seas neglected to row seas used to be the Arab offers integrated in its five circles and the used and neglected seas