الأنساق الثقافية المضمرة في خطاب غادة السمان الروائي بين الصورة النمطية و تجاوزها : يا دمشق وداعا-فسيفساء التمرد-أنموذجا

Abstract EN

The aim of the study is to reveal the cultural patterns implied in the novel) bye-damascus) by Ghada Al-Samman, who tried to overcome the stereotypes imposed by contexts on feminine writing, to reveal the narrative intent hidden in her speech, as she was able, , to create new visions that go beyond the well-known form of expressive narrative work.

Announcing her rejection of formats hidden by censorship, relying on her awareness to move to the struggle to write in a group of coordinative relationships: individual and institutional dimension.