السرد العجائبي بين المورث العربي و الغربي : دراسة و تحليل لبنية النص العجائبي

Abstract EN

studies specialised in the Fantastic is considered as one of the modern contemporary literature's concerns.

Especially, since the Fantastic text is featured with perspectives and perceptions that enable it to be open and unlimited to take us through imaginary, strange and charming worlds.

And we ought to wonder about this Fantastic narrate that keeps one helpless against its worlds emerging with fiction and reality in a common confusion and hesitation between the text and the receiver.

And that is what distinguishes the Fantastic narrate, which transforms its magical world to real one.

Therefore we must search in the roots of the Fantastic and to attempt setting a specific definition for it through a linguistic and terminological comparison.

As one of the results obtained, is that it is hard to precise a concept of the Fantastic, but we can say that the Fantastic is built on a base of hesitation and confusedness that gets to the reader as a result of a strange and an abnormal phenomenon.

The Fantastic has levels that adducts it to terms in the field of its context as the miraculous, the strange and the magical.

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The Fantastic also has origins from the Arab heritage as a concept and a text before showing in the western literature as a term.