التشكيل الجمالي للثنائيات الضدية في الصورة الشعرية : (شعر أبي تمام أنموذجا)‎

Abstract EN

Language, being described as a system, is based on two principles: symmetry and difference.

It's no surprise when the creator relies on these principles taking benefits from the many possibilities offered by the former and on this level lies the difference between the inventive writer and the others; because poetic language is characterised by specific traits.

This is exploited by the inventive writer or poet in a way to come up with a complex outcome, a combination different from what is essentially designed for and makes it in correlation with other words, poetically special.

Thus the text aims at falling into the bonds of closeness to literature as a mindful choice of expression tools.

Therefore this study comes to discuss the aesthetics of these anti-dichotomies, especially on the level of poetic imagery, where the poet provides his words with new meanings they weren't originally theirs.

He even may break a linguistic rule driven by his artistic spirit, without doing any harm to language however he fosters it forward and here comes the question: How do a word get the essence of magic to affect minds? and what's the extent of this effect? and is language then a blessing or a curse?