سيميائية العنوان و دلالتها الثقافية في رواية بحر بلا نوارس لجيلالي خلاص

Abstract EN

The literary work aspires to create a number of endless spaces that give it a different color and shape every time as if it is a recent birth, and this method of entrapping the reader and drawing him into places of persuasion and liberation from the writer's own ideas is a tactic in its place because fictional art needs cultural diversity coupled with the symbol and the connotation emanating from the semiotic analysis, which provides the researcher with opportunities for discovery, reflection and scrutiny.

As a result, we have to decipher the fictional events in their intimate relationship with the title, as well as its semioticism, which represents a comprehensive and differentiated picture, urging the researcher to conceal the secrets of one event after another within a semantic melting pot, which makes the title a reflection and manifestation of the cultural text.

Our study relied on analyzing the title of the novel A sea without gulls, a cultural semiotic by the writer Djilali Khallas, as it realized the necessity of the semantic and seductive employment of the title in its relation to a set of social, cultural and historical factors that gave the cultural phenomenon represented in the literary text its right to study and analyze.

That is why we emphasized standing on the threshold of the title and trying to monitor most of the symbolic and suggestive sequences intended by the salvation, and we, as analysts, strive to be familiar with them in relation to their sub-environment.