تحولات التكوين البنائي في أعمال رافع الناصري الكرافيكية

Author

الطالباني، أحمد عماد عبد الحميد

Source

مجلة جامعة بابل للعلوم الإنسانية

Issue

Vol. 25, Issue 7 (31 Dec. 2017), pp.3358-3384, 27 p.

Publisher

University of Babylon

Publication Date

2017-12-31

Country of Publication

Iraq

No. of Pages

27

Main Subjects

Arts

Abstract EN

The present research examined the structural transformations in the works of Rafid al-Nasiri al-Karafikia.

The study of the transformations that emerged on the visual field architecture of the achievements of the Karafikian artist and defines the external and internal compressors that led to that transformation.

It contains four chapters.

, Represented: the problem of research, which led to questions - What are the transformations of structural formation in the achievements of the Nasirite Rafik al-Karafiqiya? - What are the technical influences that contributed to these transformations? It also contained the objective of the research in terms of the transformations of structural formation in the masterpiece of the artist Rafie al-Nasiri through: the units and structural foundations entering the structure of the composition and technical variance, time limits 1691 - 2006 The second chapter dealt with the theoretical framework which included two subjects.

The first topic dealt with the transformation and structure of the visual field.

The second was the experiment of the artist Rafi al-Nasiri, and ended with the indicators of the theoretical framework.

The third chapter included the research procedures; the research community, its sample and its tools, in which the researcher built a tool to analyze and sample the research, and to analyze the sample samples of (5) cartographic works.

Chapter IV contains the results and conclusions as well as the recommendations and proposals.

Basic results include: 1 - Al - Naciri to form his achievements in accordance with the composition of the deployment on the vertical axis Vertical Composition 2 - The visual field of the achievements of that stage was composed of a composition consisting of several sections ranging between the forms (rectangle and square), through the artist cut the clipping into several parts and then rearrange according to the composition that was seen by the artist, Research, including : 1 - The technical act of the great role in that transformation in terms of external pressure on the artist in the introduction of the units composed of the formation of the problem of public formation.

Therefore, the technical diversity was most effective in introducing color and contact varied to form a visual structure different from the previous one.

2 - Experiences (Chinese and Portuguese) in addition to the cultural and popular heritage had a great role in crystallizing the visions of the artist and thus led him to those transformations.

.

The chapter contains a set of recommendations and proposals.

The study contained proven sources adopted by the research, and the research summary in English.

American Psychological Association (APA)

الطالباني، أحمد عماد عبد الحميد. 2017. تحولات التكوين البنائي في أعمال رافع الناصري الكرافيكية. مجلة جامعة بابل للعلوم الإنسانية،مج. 25، ع. 7، ص ص. 3358-3384.
https://search.emarefa.net/detail/BIM-1086966

Modern Language Association (MLA)

الطالباني، أحمد عماد عبد الحميد. تحولات التكوين البنائي في أعمال رافع الناصري الكرافيكية. مجلة جامعة بابل للعلوم الإنسانية مج. 25، ع. 7 (2017)، ص ص. 3358-3384.
https://search.emarefa.net/detail/BIM-1086966

American Medical Association (AMA)

الطالباني، أحمد عماد عبد الحميد. تحولات التكوين البنائي في أعمال رافع الناصري الكرافيكية. مجلة جامعة بابل للعلوم الإنسانية. 2017. مج. 25، ع. 7، ص ص. 3358-3384.
https://search.emarefa.net/detail/BIM-1086966

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش : ص. 3383-3384

Record ID

BIM-1086966