التجنيس بين فني الرسم و النحت المصري القديم

Abstract EN

The overlapping of drawing with ancient Egyptian sculpture had made an imprint that recognized the artistic heritage in the ancient Egyptian civilization, this had several motives, this research seeks to know that through four chapters: - Chapter 1: included the purpose of the research related to the question: what aesthetic naturalization among the art of drawing and ancient Egyptian painting and sculpture? While the aim of the research is to learn about aesthetic naturalization among the art of drawing and ancient Egyptian sculpture.

Chapter II: consists of three sections: the first section included a historical glance of naturalization among plastic arts in ancient civilizations of Iraqis and Egyptian.

While the second section involved the intellectual concepts that activated the naturalization among plastic arts.

As for the third section, it deals with the connotation of color in ancient Egyptian art.

Chapter III: included the research procedures: research community, five patterns as a sample for the research, adopted an analytical and descriptive approach, adopting a theoretical framework indicators as a tool for research.

Chapter IV: it included research results, conclusions, and recommendations and proposals, and among the results that reached by the researchers: 1.

the religion ideology had an effective impact on technical output in ancient Egypt, especially sculpture and painting, that labelling them with realism, it also contributed to activate naturalization between them, as in all research samples (1, 2, 3, 4, 5).

2.

the color and accuracy of work harmony had added visually prettiness on most plastic work in ancient Egypt civilization, especially works marked by naturalization, as in all research samples.

3.

the naturalization in ancient Egyptian art was not limited only on art of painting and sculpture but also included naturalization among various materials, like wood, gold and precious stones and others, (as in sample 1,3,5)