الأبعاد النفسية في الفكر الفلسفي الوجودي لدى جان بول سارتر و تمثلاتها في النحت المعاصر

Abstract EN

This study deals with the study of (psychological dimensions in the existential philosophical thought of Jean-Paul Sartre and its representations in contemporary sculpture) .

The study included four chapters.

The first chapter deals with the methodological framework of the research, represented by the problem of research which was manifested through a problematic question about the psychological dimensions in existential philosophical thought Sartre and her sculptures in contemporary sculpture? What are the mechanisms of expression of these representations at the level of contents, forms, methods and techniques? The first chapter also includes the objective of research, through: the identification of psychological dimensions in the existential philosophical thought of Jean-Paul Sartre and their representations in contemporary sculpture.

The limits of research were limited to the study of psychological dimensions in the existential philosophical thought of Jean-Paul Sartre and its representations in contemporary sculpture, which appeared in the United States and Europe, in the period (1947 - 2015).

Terms were also identified .

The second chapter included the theoretical framework, which included two subjects, the first topic: psychological dimensions in the existential philosophical thought of Jean Paul Sartre, which included three axes, where the first axis included the method of existential psychological analysis, the second axis, Emotion between phenomology and psychology, and the third axis, has been reviewed Phenomenomological analysis of the phenomenon of emotion.

The second section included modern sculpture - a study of concepts and applications.

The second chapter concludes with the presentation of indicators to be used in analyzing the sample of the research.

The third chapter contains the research procedures that included the research community and the sample of the research and analysis of the samples which amounted to (5) precautionary work.

The fourth chapter included the results of the research and the conclusions, as well as the recommendations and proposals.

The most prominent findings of the research are: 1.

Sartorial existential ideas played a vital role as a pressing intellectual reference to modern sculpture.

This philosophy espoused themes of violence, which constituted an important and important factor in the realization and manifestation of the role of behaviors that violate the human self through formative and consensual manipulations.

2.

Contemporary sculpture has emphasized the emotional aspect of its sculptural work, where the obsession of fear, which is a form of emotion, is a source of dealing with the subjects that threaten its being.

It also enumerates abandonment as a result of a unique dimension of absolute individuality in Sartic existentialism, which recognizes only the individual person.

Sadness is also a clear designation of contemporary sculptural products; to explain the state of frustration of the Western man who lives in a state of uncertainty.

3.Some aspects of looting in modern sculpture have also been reflected by the impact or reflection of the social relations that are pressing among the people, and thus the failure of all the common relations that the self-existence wants to establish abroad, because it represents an invocation of his freedom and his murder within a dead possibility.

The main conclusions of the research are: 1.

Sartre's philosophic thought formed an existential pressure with a psychological dimension to contemporary visions of Western sculpture.

2.Contemporary sculpture has been associated with the concepts of Sartri philosophical thought (violence, alienation, anxiety, self-abuse, horror) as a response to the transformations of the outside world.

Finally, the researchers tackled a set of recommendations and proposals.

The research ended with the installation of the sources, as well as the summary of the research in English.