التحريفات الخداعية للمنظور في أعمال بعض فناني العصر الحديث و الإفاده منها في إثراء الرسم المعاصر : دراسة وصفية تحليلية

Abstract EN

The current research revolves around the deceptive distortions of the perspective through the artist's liberation in the 20th century from the artistic traditions and away from objective realism.

It is a vision of mind rather than a visual vision.

The most important of these are the conceptual perspective, the reverse perspective, and the multiplicity of perspective perspectives in the works of art.

This research uses the descriptive method in describing and analyzing the deceptive distortions of the perspective of the works of the artists.