المنجز الفخاري الخزفي في حضارة العراق القديم و سياقاته المرجعية التاريخيه
Other Title(s)
Ceramics pottery a chievement in ancient Iraq and its histovica origin
Author
Source
مجلة واسط للعلوم الإنسانية و الاجتماعية
Issue
Vol. 15, Issue 43 (31 Aug. 2019), pp.665-700, 36 p.
Publisher
Wasit University College of Science
Publication Date
2019-08-31
Country of Publication
Iraq
No. of Pages
36
Topics
Abstract EN
Research SummaryThe current research deals with the historical context of knowledge or the context that controls the specific historical era.
It is a multi-reference context (social, philosophical and technical).
The research society included ceramics pottery in ancient Iraq.
The current research problem can be summed up as follows: What is the extent to which the context of knowledge, its diversity, its relationship, its impact and its ability to convey intellectual creativity and the semantic expression that characterizes the ceramics pottery art in ancient Iraq? The importance of the current research comes by deconstructing the conflict in the concept of contextual historical studies.
Most studies have attempted to formulate clear and integrated concepts based on coherent theory and methodology, which defined the dominant context in pottery products.
The current research aims to: Identify historical reference contexts.
To form the shape, in the ancient iraqi ceramic pottery.
The limits of the research were: (Objectivity: study historical reference contexts - and temporal: (3500 BC) and spatial: in the ancient Iraqi civilization)_ The theoretical framework included: ceramic pottery in the ancient civilization of Iraq.
The most important indicators were: (1) Ceramic pottery is based on the data of the prevailing thought and its variations in its time, period, or place.
2 - Ceramic pottery is characterized by cultural and material intellectual influences between one civilization and another, one age and another, artist and another)The most important results of the research: -1- The historical artistic contexts of pottery art are subject to intellectual and sensory aspects to show the aesthetic and expressive values produced by the artist and his contexts in the way of performance and creativity.2 - The technical contexts in the structure of the technical composition of the principle of formal relations according to the system depends on the location of each other and collect the parts in the mass of work and overlapping technically as a new entity.3 - The historical technical contexts in the structure of the technical composition of the principle of formal relations according to a system depends on the location of each other and collect the parts in the mass of work and overlapping technically as a new entity.4- The historical artistic contexts were characterized by ceramic pottery in the method of formal output, which distinguished each field from the other in terms of formal aesthetics.
The research ended with recommendations and proposals, as well as a list of the most important sources.
American Psychological Association (APA)
الشمري، عادل عامر سلمان حسين. 2019. المنجز الفخاري الخزفي في حضارة العراق القديم و سياقاته المرجعية التاريخيه. مجلة واسط للعلوم الإنسانية و الاجتماعية،مج. 15، ع. 43، ص ص. 665-700.
https://search.emarefa.net/detail/BIM-1161828
Modern Language Association (MLA)
الشمري، عادل عامر سلمان حسين. المنجز الفخاري الخزفي في حضارة العراق القديم و سياقاته المرجعية التاريخيه. مجلة واسط للعلوم الإنسانية و الاجتماعية مج. 15، ع. 43 (2019)، ص ص. 665-700.
https://search.emarefa.net/detail/BIM-1161828
American Medical Association (AMA)
الشمري، عادل عامر سلمان حسين. المنجز الفخاري الخزفي في حضارة العراق القديم و سياقاته المرجعية التاريخيه. مجلة واسط للعلوم الإنسانية و الاجتماعية. 2019. مج. 15، ع. 43، ص ص. 665-700.
https://search.emarefa.net/detail/BIM-1161828
Data Type
Journal Articles
Language
Arabic
Notes
-
Record ID
BIM-1161828