اغراءات الصوت و دوافع الإيقاع الموسيقي في السينما

Abstract EN

The science of sound, studies the characteristics of human voice in terms of its linguistic function, with which other artistic fields interacted, and considering music as the inspirations of poetry and the housewives of the arts, In return music is the spirit of all audio-visual systems, because of the aesthetics of places and times, without sound represented by music, And how these waves translate into concepts and ideas, the ego of the society of the arts is vulnerable, exasperated from the aesthetic features of the integrative system of the image in the film, and it is clearly shown without temptation in flatness, that no cinematic study can be carried out in isolation from the science of sounds, This study comes to resolve clashes about the sensory, semantic or expressive value, to which the voice leads us through the identity of the speaking self, and in order to be aware of the phenomenon of sound and until we rediscover the mechanism that writes and paints the appeals of cinema We have to trace the credibility of the music scene and the different psychological situations that it evokes in us, whether the sound is associated with the dialogue of the characters, or in the soundtrack and visual effects, or an olute silence capable of touching the viewer's higher ego, inviting him to focus with the cinematic shot, So he can feel the same movie.