جدلية نشأة التحولات الشكلية للخط العربي

Abstract EN

The manifestations and forms of the Arabic calligraphy and its variations and morphological constructs reflect a cultural and civilizational perspective.

The Semitic peoples, especially the Arab ones, contributed to structuring, establishing and clarifying its functional and aesthetic dimensions over the years since the first symbolic forms of writing were put in place during the Sumerian civilization.

Cuneiform), through the activation of the alphabetical data and spread from the north of the Arabian Peninsula to the rest of the world, which contributed to the dissemination of the spirit of culture, both material and non-material throughout the globe, the cultural dimension of the Arabic writing types God different fools historical Torat launched the current search for historical records its manifestations and legibility.

The first chapter deals with the problem of the research and its importance, the need for it, its purpose, its temporal, spatial, and objective limits, as well as the definition of the terms contained therein, and then the second chapter, which consisted of three theoretical aspects: The third chapter deals with research procedures, which included the research community, which consists of selected models of historical and cultural documents and inscriptions that appeared in the north and south of the Arabian Peninsula, and what resulted From their formal transformations of the like Three types of linear formations were selected, including a sample of the research, which was analyzed according to the analytical descriptive method.

Chapter 4 included the most important findings and conclusions.

The research concluded.