توظيف الصورة الحسية عند شاعرات الأندلس

Abstract EN

This research aims to study the types of the sensual image in the poetry of the poets of Andalusia, and how to employ these types in order to produce many of the semantics that the study reveals.

Therefore, the research deals with the concept of the sensory image and its importance, as well as the relationship of perception with imagination in the formation of the image, then studies both the visual, auditory, tactile and gustatory image, as well as the olfactory, and how Andalusian poets employ these images, and the different connotations they expressed in the context.

And also to explain the most prominent indications expressed by the correspondence of the senses through the functioning of a certain sense with another sense function.

This research comes to study the sensual image of the poets of Andalusia in particular.

Because this type of image is like an artistic phenomenon that can be observed inside their poetry.

The study was based on the technical approach; To search for how to use these images, to clarify their contents, and then to come up with the most prominent indications that they produced.

The study reached some results, the most prominent of which is the tyranny of the visual image on the production of Andalusian poets compared to other images in their poetry, and the link of most of the sensory images with the description, and other results included in the conclusion.