حداثة التجريب في العرض المسرحي الجزائري المعاصر : عروض المخرج هارون الكيلاني المسرحية أنموذجاً

Abstract EN

Experimentation is associated with other questions in the arts, which seek to destroy the prevailing authority, which is culturally and socially familiar.

It is recognized that experimentation is not subject to character but to necessity first.

It is always the search for new answers.

The experiment is based mainly on the living reality and the concerns of the experienced and creative artist Which he faces in his daily life, experimentation is innovation and creativity, a new form of drama as a basis in the creation of theatrical work.

The novelty of experimentation highlights the role of theatrical director who proves to the recipient that he is not only the show maker, but also the representative of the actor, who is capable of performing, artistically, and most importantly in the creative process.

The Algerian playwright has taken upon himself the employment of new meanings and connotations.

Performance and communication through the exchange of information between the stage and the hall, and to stimulate the significance of the production of several meanings give the recipient more space for interpretation and it can be said that there are different and varied experiences varied and different interests and visions of Arab playwrights each by brother For example, the Algerian director (Haroun Al- Kilani) took the initiative of using modern methods that came out of traditional theater frameworks in an organized and comprehensive process aimed at making fundamental changes in theatrical creativity and in relation to the spectators, as well as the experiences of other directors who tried in their experiments to blend heritage and drop it on And finding suitable and diverse spaces for their work.